aqua fortis

Showing posts with label Goals and Other Good Intentions. Show all posts
Showing posts with label Goals and Other Good Intentions. Show all posts

Thursday, January 05, 2017

Why I Write: Finding Joy in the New Year

The following was also cross-posted on the writing blog, Finding Wonderland.

We've been talking about writing goals in our WritingYA critique group this month, and I've been thinking a lot about that over the past few weeks. One of the ideas I keep coming back to is reconnecting with what brings me joy in writing.

It's a tough question, and one I find particularly difficult to consider during times when ongoing anxiety and depression issues rear their ugly Cerberus-like heads and distract me from seeing an answer. In part, I think I keep obsessing over this particular question BECAUSE it has been so hard to answer. The easy, pat response is, of course, that the writing itself, the act of crafting words and bringing stories to life is a joy in itself. That's what everyone wants to hear, right?

There's more to it. It isn't solely about the joy of putting words to page. That particular joy is something I've felt ever since I was a child, but here's an admission: it was not sufficient to tip me over the edge into wanting to make writing my life's work.

If you know me IRL or have been reading my blog and other social media for a while, you'll know that I was focused on a visual art career from about middle school onward. If anything has ever been a calling for me, that felt like it. I liked writing, but art owned my soul.

It turns out that maybe woo-woo soul searching questions—am I still an artist? Is writing my new calling? Can they both be my calling?—are sly distractions from the question of what brings me joy in writing. And once I've been distracted by those questions, I end up sliding down a rabbit hole of uncertainty, anxiety, and fear.

But, as I started really focusing on the idea of what brings me joy in writing, it was much more concrete and real-world than I expected. I looked back on what caused me to make that initial decision to try writing freelance articles on the side for my then-employer, which is what led me to take that first writing class through the UCLA Extension Writers' Program. What was it that made me so happy, so elated, so motivated to write those arguably quite ridiculous pieces of writing?

Besides the fact that I got to visit weird websites and make jokes about them, got to humorously explicate pithy quotations, and got paid a teeny bonus for doing so, this was my first experience of the sense of connection that writing for a public audience can create. Not just a SENSE of connection: an actual connection, because people would email me with suggestions; they'd send me comments. I was basically blogging before there were blogging platforms, because this was 1999-ish. I was lucky to have an insta-audience (albeit a small one) because I took over someone else's columns on an already-established site, and it was an incredible feeling to get those responses to what I wrote—sometimes from the very websites I was writing about. (And I learned a lot about the fine line between jokes and gratuitous hurtfulness, because I was a very sarcastic twentysomething.)

This is interesting, because I have mixed feelings about the IDEA of connection—my social anxiety and introversion comes into play more and more the harder I think about it. I start thinking about all the blogging and writing I've done that does NOT make me feel like I've managed to connect. And the stakes feel higher, too, because I've accepted the decision to make writing a major part of my career, not just something I'm doing on the side.

So then I get lost in the thought-hole of "I'm doing this for my job, so I can't afford to think about FUN anymore." The very idea of joy seems irrelevant. This is the mire I get caught in, over and over.
Where that train of thought has gone off the rails, I believe, is that I've created a false dichotomy between work ENJOYMENT and work EFFECTIVENESS. The truth is that I'm NOT as effective a writer when I am not in touch with my reasons for doing it. When I'm distracted by extraneous worries that fool me into thinking they are the real problem.

And so that brings me back to what my intrinsic rewards are, and besides satisfaction in a piece I enjoyed writing and worked hard on, and laughing at my own jokes, I keep coming back to writing as an act of connection. Some corollary truths here: When I am more fully engaged in a piece, I think it is ultimately more effective in making me feel connected. I am engaged in this because I feel like I am talking to YOU, right now. The writing itself makes me feel connected, if I engage in it fully.

That feeling has little to do with any comments or responses the writing might generate later, but I wonder: is there a sense of disengagement in some of the posts I write that actually somehow discourages connection and leads to fewer comments? By disengagement, I don't mean a lack of honesty or an unwillingness to spill my guts (though I am definitely guilty of the latter; I'm not a person who is forward with my opinions)—rather, I wonder if I'm inadvertently creating a feeling of distance. In my magazine writing course, in graduate school, I was repeatedly pegged as sounding too academic, and I wonder if that plays into it.

So I have been thinking of ways to connect, to engage. Different ways to approach my writing on a more day-to-day level.

I'm still thinking. More on that later…

Monday, June 22, 2015

On Plot Structuring

Cross-posted to Finding Wonderland.

I'm finally back to having time to devote to my WIP--or I should perhaps say, I have seized time back from the ravening bitch-goddess that is unexpected work. Not to mention the slightly less ravening bitch-goddess that is EXPECTED work. And what I realized was that my WIP has the extreme need for some attention devoted to structure. (And also that I wanted to change the title again.)

I've been spending a lot of productive time lately looking at screenwriting books, or at least books written with screenwriters in mind but which are also quite helpful for us novel writers. I've gotten a huge amount of thoughtful and practical advice from Story by Robert McKee and The Writer's Journey: Mythic Structure for Writers by Christopher Vogler, even though I haven't finished reading them yet. But possibly the most directly useful book has been Save the Cat by Blake Snyder, which was recommended by fellow author and member of our writing group Sara Lewis Holmes (of the lovely and poetic blog Read Write Believe). Snyder uses a method called the "beat sheet" to lay out plot structure in chunks--or maybe a better word than structure is "dynamics," because it isn't so much a matter of specific THINGS that have to happen at certain times, it's the rhythm of the thing.

I had done a beat sheet for this project last year, but that was before I decided to split it into two books, so it was long overdue for me to try to revisit my "outline" (or what passes for one) instead of just working on individual chapters and going into denial about major stuff like the book as a whole. I kind of like the beat sheet because it gives some structure to the story beyond just outlining the scenes or chapters. But I was starting to feel overwhelmed because what I have is this old, bloated beat sheet from before; a partially-rewritten manuscript with a bunch of scenes and changes not included in the old beat sheet; and a stack of index cards with plot points on them that I'd been attempting to shuffle around. What I decided to do, with the help of the Save the Cat Beat Sheet for Novels Spreadsheet that I found on Jami Gold's website, was create a set of Beat Sheet Cards, one for each beat listing the name of the beat and a short description (cut and pasted from the spreadsheet) and an approximate page count goal.


I did this by printing them onto big Avery shipping labels and slapping those onto the index cards. (I love office supplies.) Then I spread those out on my living room floor and aligned my plot points underneath them--reshuffling in a couple of cases, and inserting a couple of new ones as I found out there was kind of a gaping hole in the plot. Once I had it all laid out, I then went in and rewrote the beat sheet.

And changed the title again. *Shakes fist* TITLES!!!

Anyway, this was a helpful exercise. I was having trouble visualizing everything because of the fact that there are two POV characters that alternate, and because a third character is taking on a bit more of a role in this rewrite. This made it easy for me to pinpoint where I still needed to add in that third character's arc. It also made me realize I really need to do something about the ending....

Sunday, April 26, 2015

Three Breaths

I've spent more time than I care to admit reading inspirational articles on sites like Zen Habits and Tiny Buddha; neurotically perusing stress reduction techniques and "how to know if you're burned out" checklists on WebMD and HelpGuide and Psychology Today. I've read books on mindfulness and wistfully wished I could go to UMass for the mindfulness-based stress reduction program. I've read and re-read books by Jon Kabat-Zinn.

I haven't always been great at implementing the techniques in any sort of regular fashion, though I know I would be healthier if I did. The excuses are increasingly ridiculous: "Who has time to lie down for a 30-minute body scan?" turns into the ludicrous "Who's got time for the Three-Minute Breathing Space?"

Evidently there is a very persuasive part of me that thinks I can't simply sit there for three minutes, never mind the fact that I may spend thirty or forty minutes reading internet articles about sitting meditation or stress or whatever. This makes no sense.

BUT. I came up with a nearly foolproof (the fool being me) method of centering myself and slowing myself down, of stopping the mean mental voice that likes to castigate me for every little thing. I can't really take credit for this, since it's basically distilled from all that reading I just talked about. But here it is.

Three breaths.

You really can't rationalize away the time it takes to breathe in, breathe out; breathe in, breathe out; breathe in, breathe out. Because look! It's already done. Sometimes it actually IS challenging to sit in mindfulness and serenity for three minutes. Or there's some external situational reason that makes it difficult to do. But surely I can do it for three breaths. Surely I can stop that inner mean voice for the space of three breaths. Surely I can follow my breath in and out, slowly, without criticism, three measly times.

Sometimes that's enough.

Tuesday, January 28, 2014

On Meaning and Goals

As I mentioned in my latest post on Finding Wonderland, I'm reading The Van Gogh Blues by Eric Maisel. One of the things the book encourages the reader to do is think about what creates meaning in one's life, and so I tried to be game and did a bit of writing/thinking about it. I discovered that I make some interesting assumptions about meaning that I don't always examine closely enough:
I seem to associate meaning with things happening outside of myself. If that were true, I'd have no control over making anything meaningful. And maybe that is my big fear, the fear that making meaning is not under my control. Or maybe I'm afraid that if I acknowledge making meaning IS under my control, I will have to admit that I'm bad at it. That I've been doing a poor job.

I'm getting hung up again on the idea that others are the arbiters of what is ultimately meaningful, whether my accomplishments are meaningful. Deconstructing that, I notice there's an implicit assumption that I need to have accomplished things in order for meaning to be a consideration.

If there's anything I should have learned from being in the arts, it's the importance of process, just as much as product. Perhaps in some cases more so than product, because we learn from process.

I zeroed in on a few ideas that I feel are important to me: Learning. Process. Progress. And I started to think about how being goal-oriented is sometimes an obstacle to appreciating process.
A goal, an end result, should be an image that inspires, encourages, invigorates. It should spur more joy in the process and the act. It should not discourage, dishearten, inspire fear or anxiety, cause despair. I constantly confuse goals with chores.

If a goal does that, then perhaps it is not a goal as I want to define it. What is it, then? And how can I reformulate it so it's the "right" kind of goal?

I have too many chores and not enough goals.

Maybe goal is the wrong word. Dream. Objective. Aim. Wish. Inspiration. Goal is too simple. It is a source as well as a goal, a beginning and an end point. It's the motivational starting point as well as the dream at the end. It gives meaning to the process.
I'm starting to think the mistake is in thinking of "goal" and "process" as two separate, separable things. Anyway, some Points to Ponder.

Sunday, January 20, 2013

Blogging Thoughts

I've been giving a lot of thought to the problem of what purpose I want this blog, this particular one right here, to serve. I haven't been posting a lot. That doesn't mean I'm not blogging, because I post twice a week to Finding Wonderland, rain or shine, and as the Cybils blog editor again this year, I put up between 3 and 5 posts per week there. And then there's my paid blogging/article writing gig at A Place for Mom, which has been upped from 2 posts a week to 3. At about 500 words apiece, it's no small potatoes. I blog a LOT.

Just…very little of it is what I'd call my personal thoughts. I tend to save those for short bursts on Twitter and Facebook. I am also constantly battling questions like Who really cares? What purpose does it serve? Are my thoughts really that interesting? Does anyone even "read" blogs anymore or do they just go surfing for specific topics? I mean, I haven't been doing much blog reading lately myself. I hate to admit that, especially as someone very much enmeshed in the children's literature blogging community. I've gained a lot of treasured friends and writing connections by reading their blogs. But my blog reading is no longer regulated by Google Reader; I read a handful of random posts in any given week, clicking through from e-mails or tweets or Facebook. I haven't been commenting. Everyone else has plenty to say; they don't need to hear my two cents.

So then what? That's the question I've been asking myself, over and over. What do I have to say, here, that hasn't been said a million times and far more eloquently? What do I have to offer that's unique, and that I haven't posted elsewhere? And do I have enough of it to offer on a thrice-weekly basis or whatever? Am I helping, or at least entertaining, anyone by doing it? Myself, at the very least? Do I have to have a special "thing" that my blog is known for? How can I create something sufficiently individual, or is BEING an individual and posting about it enough?

I've wondered over and over if I should say goodbye to this blog; if I should stop blogging, period. I haven't gotten to that point yet. But I'm definitely doing some thinking about the why of it all.

Wednesday, August 01, 2012

WFMAD Day 1: Getting In My Own Way

Today’s Prompt:  What things do you allow to get in the way of your writing? Be specific, detailed, and brutally honest.

Today is the first day of the Write Fifteen Minutes A Day Challenge. I'll be posting my fifteen minutes on this blog. I need to post here more (and I promised to do just that several weeks ago, after which I failed miserably to keep up with my promise). I need to do more regular writing and in order to both of these things I need to get over my fear of posting personal writing in public.

It's not just the normal fear of having other people read my writing. I always have that. You just get over it, more or less, or ignore it. It's the fear that nobody is going to care what I have to say. It's the fear that I'll regret having posted something too personal, that it will feel self-indulgent or too revealing. That I'll be boring. That not even my friends will care about what I write. That I compare unfavorably with other writers--I spend a lot of time comparing myself to others and coming up short. Hey, the prompt said to be brutally honest.

A lot of these same fears apply to my writing in general. Maybe it's because I didn't grow up planning to become a writer, didn't grow up knowing that was in my future, but I often feel like an impostor. I didn't think of myself as a writer, just someone who enjoyed writing stories on occasion.

So, yes, fear. Fear gets in the way of my writing--all kinds of fears. And really, when I think about all the other things that get in the way--procrastination, time management issues, failure to prioritize, not having time, not having energy--I begin to realize how many of the things that get in the way of my writing are related to fear, at least at some deep-down level. Fear that if I embrace being a writer, I'll cease to be an artist. Fear that my efforts will ultimately never live up to my expectations and hopes for myself. Fear that I'm not going to earn enough of a living simply by writing and making artwork. Fear that I don't have what it takes, that I'm not disciplined enough or devoted enough. Fear that I don't want this writing life enough, or that I want it too much.

I wish I were the type of person who could let go enough to embrace the artistic, creative life wholeheartedly. But I'm just not. I can't leave behind practical issues. Issues of money, of survival, of fairness in our household. There is a simple joy and relief at having a partner who understands what it is to be an artist at heart, because he also is one. But I also feel tension at the inherent inequity that results from one of us having the "real job," and I end up feeling like the opportunity to do my creative work is a luxury, rather than the gift that it is.

I need to give myself this gift once in a while.

Wednesday, January 04, 2012

Just One Resolution.

"Now is the accepted time to make your regular annual good resolutions. Next week you can begin paving hell with them as usual." - Mark Twain (source: this WebMD article)

I don't know if I'm going to make any resolutions this year. I'm not sure resolutions are a great idea for me. Not just right now or this year, but in general. You see, I have this problem, which is that I tend to set unrealistic goals for myself ALL OF THE TIME. Then, inevitably, I can't accomplish them, and the less progress I make towards the goals, the worse I feel. And I don't seem to have a good sense of what's realistic in the first place. I'm forever making to-do lists I can't complete—I'll start with a short, achievable list, and then I'll tell myself that this or that MUST get done, or that the short list of tasks is lazy and unambitious, and the list will grow until it's not something I can actually do in a day, or even a few days. And I tend to blame my inability to do all the things on myself rather than a faulty list, and so I feel bad about it.

So perhaps I ought to have one resolution this year and one only:

TRY TO SET MORE REASONABLE GOALS. 

Corollary #1: Do not disparage small, achievable goals, or belittle their accomplishment by piling on additional work into my justly-earned free time.

Corollary #2: If I fail to achieve a goal, consider whether the fault lies with me or with the goal as stated (e.g. an unrealistically long to-do list).

Corollary #3: Don't underestimate the time it takes to do things—but don't beat myself up over how long it takes, either. It takes as long as it takes. That doesn't mean I'm slow or lazy.

So. That's where I am when it comes to this year's resolution. We'll see how it goes.

Tuesday, December 27, 2011

Doo or Doo Not

This may not seem like the most incredible of revelations, but it has occurred to me (in the shower, from whence all my ideas flow, apparently) that Yoda's famous platitude "Do or do not. There is no try." is basically the same thing as "Shit or get off the pot" (as my Gramp used to say).

What has also occurred to me is that this is quite good advice for those of us who tend to be paralyzed by doubt. The doubt, for me, often comes from too much trying--trying to be perfect, trying to plan everything out ahead of time, trying to be as creative as I can, whatever. Everything becomes effortful, and I'm frozen in place from all of my trying. And, of course, then I'm not DOING.

I'm not just talking about my fiction writing or my artwork, either. I've noticed this also applies to my blogging. I get freaked out by worry that everything I put out into the ether has to be brilliant; I manage to convince myself I don't have anything interesting to write. Then I don't blog. But THEN I feel guilty for not blogging. (I know. My head is a frustrating place to be.)

So while I was in the shower I was thinking, "Y'know, Me, if you took the time you spent fretting about blogging and actually just sat down and wrote something without worrying about trying to be awesome, you'd at least have dealt with the parts of the equation that you have actual control over--the unrealistic expectations and the unnecessary guilt. Oh, and you'd actually produce a blog post, too."

That's not bad, when you think about it. Easier said than done, though, and something I seem to need to constantly remind myself of.

As you can see, though--at least temporarily--I've told myself to shit or get off the pot, and I've made my choice. There is no try.

Friday, November 11, 2011

Baby Steps

Not much to say at the moment, other than it's been a slog of a week for various reasons and I keep having to remind myself to take it bit by bit, which of course makes me think of What About Bob:


My day is all about baby steps at the moment. Step. Read Humanities book. Step. Make lunch. Step. Eat lunch. Step. Outline chapter to write. Step. Admonish cat. Okay, that's not really a step, but it sneaked its way in there.

Wednesday, August 24, 2011

Yes, I *AM* Here! Somewhere.

Well, hello there. Long time no bloggie. What can I say? I blame it on a combination of extreme busy-ness and I-ain't-got-nothin'-to-say-itis. Finally, though, I worked my way through some major swaths of the to-do list and I actually feel like I can justify making a post regardless of whether I have anything to say or not. Maybe I don't! We'll find out.

What have I been up to? Lots of traveling, which most of you are already aware of. I went to the Welsh course for the first time in a couple of years, and celebrated finally stepping down from the Board of Directors. (You can see me on the lower left, a few people in, in the picture on this page.) A couple of weeks later, I went to Seattle to give a teen writing workshop at the Lynnwood Library and visit friends. Just a few days prior to that, I had gone deep-sea fishing for the first time, on a boat that left from the Berkeley Marina and went out past the Golden Gate and into the ocean off the coast. I left with one salmon (see photo) and a wicked sunburn that I still had, slightly, when I gave my presentation, much to my chagrin. Also to my chagrin, I got seasick and barfed over the side of the boat. Twice. But then I felt better and was actually able to eat my lunch and keep it down. Maybe that means I'd eventually get used to the bobbing on a boat thing, although the jury is still out on when and whether I plan to do it again.

And, this past weekend, I went out of town again, on a short visit to my mom and a trip to Las Vegas for my cousin's bachelorette party. She's getting married in November. I feel extremely adult because we're serving as immigration sponsors for the husband-to-be. It's kind of weird to be a financially responsible party, not that we haven't been homeowners for the past 9 years (!) and therefore, theoretically, fairly responsible.

Between all of those outings and happenings, I mostly was just scrambling to keep up with everything else: work, housework, e-mail, whatever. So if I owe you an e-mail, I can confidently tell you that I'm finally getting caught up. FINALLY. I suppose it's helped that my ongoing freelance job of the past two years, that has been keeping me in steady part-time work on a regular basis, has gone away. Bad for the pocketbook, but good for getting caught up on everything else. Currently, the tentative plan is to start teaching a class in the spring semester, assuming something else more appealing doesn't come up in the next month, after which I have to decide for sure. It would be an online humanities class, taking it over from my mom, who is starting to think about retiring in a few years. At her college, which is very small, there won't be anyone to teach that particular class after she retires, so she's offered me the opportunity to try teaching it. (Assuming, that is, that I'm able to get hired.) So basically, I'd be able to make use of the humanities classes I've already taken to get equivalency ASAP--which sure makes those classes seem like a good idea, despite the fact that they made my life insanely busy this summer.

Oh. Oh, yeah. Did I forget to mention Rob and I are enrolled in a second master's program? In humanities? Yeah. We took two 2-unit classes online this summer. The Defining the Humanities: Music class was excellent, though it was basically a correspondence course rather than a true online course. The Defining the Humanities: Literature class was, surprisingly, a pain in my ass. I'm convinced that I got suboptimal grades on my first three papers because (cue MASSIVE EGO) the professor couldn't believe that I actually wrote the papers without somehow plagiarizing or cheating. When I wrote the final paper as straightforwardly and unoriginally as I could, making everything as dull and obvious and BASIC as possible...why, there was my only A paper of the semester. SIGH.

But it's over. And now, I can actually prove equivalency to teach humanities, so I suppose no matter what happens I'll most likely have a new source of regular income by spring. Yay for that!

Monday, March 07, 2011

The Want-Tos and the Have-Tos

I had a great conversation this morning with a friend of mine, Brenda, who is in her 70s (I think; she's very energetic, so I'm not entirely sure) and recently had a hip replacement. We hadn't spoken in some time, but over the course of getting caught up, she told me that she's always found it difficult to get around to doing the things she really wants to do because she's so focused on getting done all the things that "have to" get done. She said that she feels like she has to tackle the "have to dos" before she can allow herself time for the things she wants to do.

I realized that I'm much the same way. I set all kinds of priorities, many of them arbitrary, and most of them woefully inattentive to what I would actually like to be doing. Ultimately, it seems to lead to stress about what I have to do, but what's worse, I get stressed out about what I *want* to do, too, so that even those things seem like a chore. Or they seem like an unattainable reward--unattainable because I feel like I'll never tackle the "have to dos" to my satisfaction.

I haven't figured out a solution to this yet. I suspect the answer lies in simply taking time for the things I want to do, and not worrying about it. Letting it go. This sounds so simple yet it's so difficult. Both parts of it are difficult. I even tend to feel I must prioritize my "want to dos"--I want to make new artwork, so that should take priority over playing a video game, practicing the piano, or (here's a brand-new one) knitting a hat with ear flaps, all of which I also want to do. (Here's one hat I'd love...probably too difficult for my rudimentary skills, especially if I want to make it big enough for me...)

And where does exercise fit? Is it a want-to or a have-to? If it's a have-to, is it more important or less important than, say, working on writing, or attending to my freelance work?

Questions like these rapidly cause me to spiral into completely unproductive paralysis, so clearly my current method of addressing the issue is inadequate.

At least I did manage, a couple of weeks ago, to take time to sit in on Rob's class and do some figure drawing. The first two images (sets of 3 drawings apiece) were done using only my thumb dipped in Speedball ink. The third image was done using a Tombow pen, plus a brush and water. Currently the Tombow pen is my nemesis; this was the only acceptable drawing I did that day with the pen.

I'm hoping I can use one of these sketches, or another sketch, for a new set of artworks that I'm rather excited about. They'll incorporate block printing, found text, and other mixed media alterations. Finding the time...that's the problem.

Tuesday, February 15, 2011

Overachievers

So, Rob and I have both decided we're going to apply for another master's program, because we're both overachievers like that. The one we're looking at is the HUX Humanities distance education program at CSU Dominguez Hills. It's a job security thing, too. With an emphasis in the art area, Rob will be qualified to also teach art history-related humanities classes--a useful competency to have, just in case the cuts to the California community college system get REALLY bad and there aren't as many art classes available. It makes him more useful.

As for me, it also makes it possible for me to teach basic art classes at the CC level, should that ever become necessary. And it might. Right now, with a BA in Art and one additional year of graduate study (a Post-Baccalaureate certificate), I'm just slightly underqualified. I do have an MFA--but it's not in art. In less lean times, that would probably be enough for me to teach part-time--basic drawing, for instance. These days--not so much. But with the Humanities MA and an emphasis in art, I would be a much more qualified candidate.

Not only that, it just looks like a damn cool program. I mean, the likelihood of me teaching ANY class is low, unless there seems to be no other option for work. But I'd be jealous of Rob, just watching him do it. There's a class on Frank Lloyd Wright, for cripes sake. A class on female coming-of-age in world literature. (Yeah, obviously I'd be taking a few lit classes, too...) AND, you have the option of doing a creative thesis rather than an academic one.

So we've got all our transcripts ordered, and we'll be working on our essays soon and filling in our applications. I'm looking forward to it. I like learning stuff, and school is one of the things I can equivocally say I'm very good at. Not exactly a marketable skill, though, since nobody's going to pay me to do it. It's one of those things that, as a child or teenager, makes you a high achiever with great potential and possibly even a prodigy/genius type, depending on your level of success. As an adult, nobody cares if you're good at school. (Sad, but true.) Still, it's going to be a lot of fun.

Plus, as Rob pointed out, we're actually applying to a program where GRADES MATTER--very refreshing, after going through the whole art school/MFA program thing where the only thing that really matters is whether or not they see potential in your creative work.

Monday, January 03, 2011

New Year's Resolutions 2011



That's right, even though my brain is currently semi-mushy due to cold viruses scurrying around and rewiring connections so that nothing really makes sense, I have in fact been pondering New Year's resolutions. This mostly took place prior to getting sick, so the resolutions are generally doable and more or less make sense. I think.

The only obstacle I'm seeing to these resolutions, currently, is logistics, but I'll think about that when my brain is working again.

1. Start going to the gym regularly again. I've been exercising with reasonable regularity, mostly going out running with Rob a few times a week (2 or 3 miles each time, usually), and also using the exercise bike, but, as always, the craziness of the holidays threw a wrench into the works. Well, wrench begone!

2. Do more artwork. I have not been leaving enough time to really work on my visual art lately, other than the occasional figure drawing session. I even have very specific ideas for a new body of work I want to start experimenting with, but haven't had the time, and when I've had time, I haven't had energy. This must be remedied.


3. Start brand-new novel project that I was supposed to start during NaNoWriMo but didn't. Speaking of specific ideas, I have some good plans for that project, too. (In case you were wondering, it's the much-hyped steampunk-ish novel that I was talking about months ago.) I still have a lot of world-building to do, but I'm itching to start writing.

4. Re-incorporate at least one long-lost hobby into my life. Over the course of the past year or two (coinciding quite neatly with my freelance business and writing work picking up) the following beloved hobbies have fallen almost completely by the wayside except for the occasional token foray: playing video games, knitting (I hardly knew ye; I have yet to finish a knitting project), practicing the piano, learning languages and (this one is really more chore than hobby) sewing. It's mostly due to lack of time and energy, although I should also add that there's nothing worse for the self-esteem of the amateur musician who plays for enjoyment to have friends who are professional classically-trained musicians.

Sadly, I'm seeing a running theme with all of these resolutions, and they all depend heavily on improving my time management skills. Therefore there's an unspoken resolution #5: Become a whiz at time management. I don't seem to be very good at it, and I'm constantly misjudging the amount of time it will take me to do things, and the amount of energy. I usually underestimate how long things will take me to do, and I also tend to assume I have infinite energy reserves to boot, such that I won't need a break between tasks but can simply jump to the next one. And I almost never factor in time to deal with unforeseen stuff.

So I'm not sure how this will all happen. I'm hoping some time will magically appear once Rob is done spending all his free time in the art studio preparing for his show at the end of the month. That should free up at least a few hours a week in cooking and cleaning time, if nothing else. So...one hour more of exercise, one hour of artwork and one hour of hobbies? That sounds a little sad. Must think of a better strategy...

Wednesday, October 27, 2010

Self-Aggrandizement Sure Takes Up a Lot of Time.

I guess I'm spending all my time lately on things like new websites and Facebook "pages" and networking and book-related junk. I did an uber-long blog post over at the YA blog recapping a conference I went to over the weekend--I seem to be doing most of my posting there lately, as well as at the Cybils blog, where I'm the blog editor. I'm blogging a lot. Just not here.

I'm hoping to remedy that. I think I'm making progress on my Gigantic List O' Random Crap that needs doing. I usually put blogging here at aquafortis fairly far down the list, sadly, but again, I hope to change that. Unfortunately, I get all exhausted and antisocial when I've been doing a lot of networking-type stuff and might disappear from the virtual world for days at a time. Sometimes I DON'T EVEN TWEET! Shock! Horror!

Anyway, speaking of horror, here's a great link if you're looking for some Halloween reading: a friend of mine, Colleen, got a good scary story published in Strange Horizons.  I keep pushing it on people because it's such an awesome piece. It's not TOO scary. You know me and scary: we're like two peas in totally separate pods on completely different planets. But I read and enjoyed this story, so there you go.

More soon. I swear.

Friday, October 01, 2010

And You May Ask Yourself, How Did I Get Here?

Every so often, when I think about the fact that my first novel is about to be published, I get this feeling of surreality. I think to myself, this is not how I would have pictured my life if you'd asked me fifteen years ago, when I was an undergraduate in college, or even ten years ago, when I was working at my first (hmm, and last) full-time salaried job.

It's not like I suddenly woke up one morning as a Type-A, high-powered stockbroker, or a doctor or a trial lawyer, and wondered to myself, "Who am I? WHO AM I??" It's just that it didn't even cross my radar that I might pursue a writing career—at least, not until that job ten years ago at IGN.com when I started doing some on-the-side freelance humor writing and thought to myself, "Remember how you always loved writing? Yeah. Maybe I could do this every day. Perhaps I should think about looking into this further."

In retrospect, this logic seems flawed, as I ended up transitioning from one unlikely, competitive, low-paying career goal (art) to another equally competitive, difficult and low-paying career goal (writing). But you have to understand—in 2001, when I quit my job at IGN and decided to go back to graduate school for creative writing, I was still coming off a massively career-shifting and aggravation-inducing year of post-baccalaureate study at the San Francisco Art Institute. After spending all my spare cash applying to 13 art MFA programs (in those dark days of 1998, you had to send most places slide carousels of your work), I was offered only one option—a year of post-bac study—so I took it.

Moving even further back in my career planning, when I started undergraduate school as an Art Practice (and Psychology—but that's a story for another time) major at Berkeley, I had this general idea that I'd end up in illustration or design. But then I was confronted with the dichotomy that is High Art vs. Low Art, or Fine Art vs. Commercial Art, or whatever you want to call it (great post on this at Yat-Yee's blog). I learned, in my fine-art-oriented program, that words like "commercial" and "illustration" were bad things when applied to fine art, so I did what I needed to in order to succeed in the milieu I was thrust into—or I tried, anyway. I didn't exactly banish my entire aesthetic; I just focused on art for art's sake.

In further retrospect, I think my idea was that I'd enter grad school, get my MFA, and then go on to work in illustration or design or whatever other art-related job I could find. I didn't really have a clear idea of what that might be, but I knew I wasn't interested in teaching, which is what most MFAs end up doing. (Or they end up in a mindless day job so they can make art at night.) But since I didn't get into an MFA program--after tons of effort, I might add—I was a little lost after finishing my post-bac year. I was like, now what? I don't feel ready to plunge into the art world. I was traumatized by various unpleasant experiences in my graduate department. Rob was still struggling with the politics of the MFA program there. I was also feeling embittered by the fact that I'd finished my BA summa cum laude, Phi Beta Kappa, etc. etc. and it hadn't seemed to do me much good career-wise.

So I ignored the dilemma and applied for work. It seemed like a good time. The internet boom was…well…booming, and we lived in the Bay Area. Entry-level positions abounded. I got one marketing job, didn't like it, and quit after two weeks, when I was offered the IGN job.

Which brings me back to the writing. Inspired by my manager Mike, who also wrote articles for the site and was going to transition to a full-time content writing job, I offered myself as a freelance writer. Sadly, the internet boom stopped booming, I got a new set of bosses, and I wasn't able to make the transition to full-time writer. But it got me thinking. Why put up with the constant fear of layoffs, the excruciatingly dull morning marketing meetings and the recurring chastisement for my occasional lateness to said meetings when I could REALLY be doing something with this desire to write?

Not having any formal creative writing training beyond some childhood enrichment classes had never stopped me from writing before, but I figured I needed some more learnin' before I tried to actually get published, or get a job as a content writer, or whatever. I applied to MFA programs, and lo and behold, I got into one this time. (A much better acceptance rate, too—one out of two. …What was I thinking?)

By that time I was starting to think about being a freelancer full-time—writing, design, illustration, whatever. And that's a pretty good description of what I do now. That's how I got here. So I guess that answers that question.

Wednesday, June 30, 2010

The Creative Person's List of Laments

….Because we creative people have the amazing magical power to create neuroses out of thin air!

I may not be as helpful or clever as Merlin Mann, but hopefully this is reasonably entertaining. I enjoyed writing it, although I'm vaguely embarrassed at how many of these neuroses—er, laments—I have personally indulged in on repeated occasions.

So You've Got a Bouncing Baby...Whatever That Is 

1. I'm not even sure this is a very good idea in the first place. Perhaps I: am getting old / killed too many brain cells in [insert college name here] / should have been a [insert more lucrative career here]. (select all that apply)

2. I'm never possibly going to finish [project title].

3. I'm never going to finish revising / perfecting [project title].

Once Your Project Is Done. Or IS it? 

4. Is it really done? Maybe I should just tweak this word / sentence / line / stray pencil mark.

5. It's not done. I never should have sent it off to that literary magazine / editor / agent / contest / juried show.

6. Another rejection? I'll never find an agent / a gallery / a publisher. (See #1. Repeat as needed.)

Break Glass In Case of Unexpected Non-Rejection 

7. They're never going to like it as is. They're going to ask me to completely recreate my drawing / painting / sculpture / main character / plot. 

8. Nobody's going to read / notice / like my book / poetry / artwork.

9. My work will never be as good as [insert name of more talented and accomplished colleague] or [name of ridiculously successful professional in prime of career].

10. The reviews and sales figures will only prove my unsuitability for this career / lack of creative ability / mediocrity / insanity.

When It's All Over...Lather, Rinse, Repeat. And thank your lucky stars you're doing this instead of anything else in the world.

Tuesday, January 19, 2010

Check Me Out

You may have noticed that the blog has a new look. That's what I did most of yesterday instead of, well, possibly more productive work. But I'm happy. I really wanted to make this blog more of a home for my creative burblings as well as occasional random thoughts, so now there's a nifty menu up top where you can check out some artwork posts, some creative (and not-so-creative) writing, or just browse my day-to-day blathering. My sidebar widgets are much improved, though still under construction (gotta revamp my link lists in particular) and I'm ridiculously pleased with the new graphics. I have to give props to the excellent Blogger Templates site and the template that I reconfigured to create this new look--it doesn't look much like the original, but I REALLY needed someone else to put the Blogger code together because I'm sure as hell not going to do it. Tinkering, I can do, and did.

So...enjoy. I'm planning to post a bit more creative work here, show what I'm working on on a day-to-day (or at least week-to-week) basis, and hopefully encourage myself to do more.

Sunday, January 17, 2010

New Ideas

Yeah, I'm still behind on my promised photo post...I scanned in a few that needed scanning (that's right--in the early 2000s I did not yet own a digital camera) so I'm almost there, I swear. In the meantime, I'm wrestling with a new idea that may or may not be either wise or a good use of my time but nevertheless, it's tugging at me. Ever since writing my first found poem as part of the New Year's Poetry Challenge (a challenge I have yet to complete...) I keep coming back to that form in my mind, especially after Tanita sent me this link. I keep wanting to write more. I'm not even sure I'm doing it "right" or creating anything particularly meaningful, but I've written one other since then and it's fun. It's intriguing, like a word puzzle. A brain puzzle. Finding some hidden meaning in somebody else's writings. I of course wish I'd thought to do what Austin Kleon is doing, but it's a bit late for that.

What I AM thinking about is creating a blog that would be a sort of found poetry experiment, using articles (as I have been) available online. I have minor concerns about legal issues that might arise, though I would hope that providing a link to the articles I use would help to prevent that.

Alternatively, I could just post them here. But this poor blog is already a cluttered mishmash of random crap, so I'm thinking a separate space would be better. Maybe some artwork to go with the poems, from time to time. Not that I have any extra time for extra stuff. It would be an occasional diversion. IF I decide to do it. I get a lot of ideas I don't really have time for...Plus the "what's the point?" monster rather quickly shows up in my head. Of course, the answer is, just for fun. For enjoyment. To see if it leads anywhere interesting. I might just make it a poetry/flash fiction blog in general, so I can keep the formal writing separate from this very casual rambling that I tend to do.

We will see. Or not, as the case may be.

Tuesday, December 15, 2009

New Year's Poetry Challenge, Day Five

Still a day behind. Oh well. This one was fun: Write a found poem using the front page of your local paper or an article from a magazine you have around the house. I was immobilized on the couch by a cat on my lap, so I cheated slightly and used National Geographic online. I used this article on Alaska Coasts Melting. I wasn't going to use this article--it's fairly short and repetitive--but I couldn't resist the town of Lonely.

Leaving Lonelytown

Swallowed by the sea
near the town of Lonely
Remains of the ghost town

a century on shore
buried underwater

perpetually frozen earth
melting
erosion patterns
drifting
reshaping

the findings
document human settlements
At least one has already been lost
another will soon be gone

unusual landscape
especially vulnerable

a picture of a whaling boat
massive amounts of ice

a natural process
melting so fast
a shift in the forces
plans can be devised

not just the ice
according to the research
but it would be unusual.

© Sarah J. Stevenson 2009

Like I said, this was fun...I could definitely do more of these.

Monday, December 14, 2009

New Year's Poetry Challenge, Day Four

Let me just say that I'm really having fun trying out this poetry challenge--it's a nice change of pace for my brain. I don't know how well the "loose narrative" approach is working, but who cares? I can always string them together differently later. Yesterday's prompt was: Think of your kitchen table or your coffee table. Write an ode, a celebratory poem, about one object on your kitchen/coffee table. If your kitchen/coffee table is clear, then write about the table itself.

I picked an object on the coffee table that I then loosely interpreted, and then it turned into less of an ode and more of a something else. I also thought I would write the ode using Sapphic meter but that's also sort of loosely used, particularly in the last line of each stanza. And, again, I'm trying to write not so much from my viewpoint as that of a character I'm attempting to convey through the imagery of the poems. So, whether what "happens" in the poem is "true" is up for interpretation.

Toolbox

Box of paints in small metal tubes, my mustered
lineup of hues, red, orange, yellow, green, blue--
Tones of rare earth, cobalt and zinc, iron, ochre
My bright chemistry.

Unseen layers visible, dreams made too real
Fears and horrors rendered, reduced to mere brush-
strokes and lines. I have that finesse. But I can't
paint out the past.

Pink, dilute with water, I dab, then dry brush
Dark-leaved trees—the place where I sat with you, yes,
Where this painting hatched, where the colors, light, dark,
shone and became fact.

Little paint box is simply a tool, gentle spear
Tickling essence out of the mortal shell—small
beast is served to please human senses, bright splash
on taste buds, swallowed.

© Sarah J. Stevenson 2009